Stillunresolved

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In the Paravent
Curated by Craig Fisher and Niki Russell

Exhibition includes several artists who are part of the StillUnresolved/NTU team (in bold).

Housed within a purpose-built display structure, In the Paravent brings together a range of small-scale work produced by artists working in and connected with activity in Nottingham. Drawings, paintings and a range of other objects sit within the Paravent, and the individual shelves are mirrored by cut-out sections of the walls of the gallery that frame further works. This installation made up of many parts, offers an insight into the diverse breadth of contemporary art being produced within the studios, galleries and project spaces of Nottingham today.


Frank Abbott, Bruce Asbestos, Rob Van Beek, Rebecca Beinart, Jackie Berridge, Aimee Bollu, Wayne Burrows, Louisa Chambers, Lotti V Closs, Sean Cummins, Neil Dixon, Craig Fisher, Rob Flint, Blue Firth, Lynn Fulton, Sam Hewland, Candice Jacobs, Jake Kent, Beth Kettel, Nick Mobbs, Rebecca Ounstead, Alex Pain, Yelena Popova, Martin Rayment, Derek Sprawson, Debra Swann, Oliver Tirré.


The Harley Gallery

A60 Mansfield Road

Welbeck, Worksop, Nottinghamshire.

S80 3LW

Free Entry. Free Parking.


www.harleygallery.co.uk/exhibition/if-a-pair-is-two-what-is-three/

OPENING HOURS

Monday – Saturday 10am – 5pm

Sunday 10am – 4.30pm

 

Published in Shout

Sunday 16th June 2019

Andrew Brown, Emma Cocker, Katja Hock, Andrew Pepper, Danica Maier, and Derek Sprawson will be showing work related to No Telos within the Resarch Pavilion at the Venice Biennale 2019.

The Research Pavilion #3, situated in the Sala del Camino on Giudecca, is a vibrant, changing space that presents the multiple methods and practices of conducting artistic research.

A book, collecting work and discussion around the research project No Telos will be launched alongside examples of activities from each of the participating artists.

Day 1 of the Research Pavilion programme begins with Bodied Languages: Moving | Feeling | Sensing, a series of corporeal, experiential encounters with language through participatory workshops and collective actions.

This is followed by Affinities + Activations: Reading | Listening | Translating, the activation of reading as a generative space of invention and intervention, performed scores for doing and becoming.

During the evening, there will be book launches for the publication-projects No Telos and Re-play, where Venice is approached as a ground for artistic research and aesthetic investigation, for poetic inscription and experimentation.

 

 

 

Published in Shout